MICHELLE WILLIAMS GAMAKER
  • WORKS
    • THE SILVER WAVE (2020)
    • ENCORE (RESURRECTION MANIFESTATIONS) (2019)
    • THE ETERNAL RETURN (2019)
    • THE FRUIT IS THERE TO BE EATEN (2017)
    • DISTANT RELATIVE (2019)
    • HOUSE OF WOMEN (2017)
    • BROWN QUEERS (2017)
    • ELEPHANT BOY (2015) >
      • Elephant Boy’s Adventures in Reconstruction​
  • News
  • INDEX
    • Archive
    • Films in development >
      • THE BANG STRAWS
      • VIOLET CULBO
    • Collaboration >
      • Collaboration with Julia Kouneski
      • Collaborations with Mieke Bal
    • Man In Parts
    • WOCI Reading Group
  • Bio/Contact

Education Projects


Journey Splitscreen from Cinema Suitcase on Vimeo.

 Srishti School of Art and Design, Bangalore and Central Saint Martins, London
BP Art Exchange, Tate (2014)
Continuing my investigation into the work of Brazilian artist Lygia Clark (1920-1988) I asked students at Srishti School of Art and Design, Bangalore to re-imagine and re-enact the artist's 1973 work Viagem (Journey).
As part of Tate's BP Art Exchange, their collaborators, MA Photography students from Central Saint Martins, London took on the same proposition against their own context.
Alll site contents © Michelle Williams Gamaker 1999-2020
  • WORKS
    • THE SILVER WAVE (2020)
    • ENCORE (RESURRECTION MANIFESTATIONS) (2019)
    • THE ETERNAL RETURN (2019)
    • THE FRUIT IS THERE TO BE EATEN (2017)
    • DISTANT RELATIVE (2019)
    • HOUSE OF WOMEN (2017)
    • BROWN QUEERS (2017)
    • ELEPHANT BOY (2015) >
      • Elephant Boy’s Adventures in Reconstruction​
  • News
  • INDEX
    • Archive
    • Films in development >
      • THE BANG STRAWS
      • VIOLET CULBO
    • Collaboration >
      • Collaboration with Julia Kouneski
      • Collaborations with Mieke Bal
    • Man In Parts
    • WOCI Reading Group
  • Bio/Contact