MICHELLE WILLIAMS GAMAKER
  • WORKS
    • THE SILVER WAVE (2020)
    • ENCORE (RESURRECTION MANIFESTATIONS) (2019)
    • THE ETERNAL RETURN (2019)
    • THE FRUIT IS THERE TO BE EATEN (2017)
    • DISTANT RELATIVE (2019)
    • HOUSE OF WOMEN (2017)
    • BROWN QUEERS (2017)
    • ELEPHANT BOY (2015) >
      • Elephant Boy’s Adventures in Reconstruction​
  • News
  • INDEX
    • Archive
    • Films in development >
      • THE BANG STRAWS
      • VIOLET CULBO
    • Collaboration >
      • Collaboration with Julia Kouneski
      • Collaborations with Mieke Bal
    • Man In Parts
    • WOCI Reading Group
  • Bio/Contact

Reach Out, Tate Modern

25/2/2015

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Reach Out
From Wednesday 25th February, 6:30-8:30
Learning Galleries, Tate Modern

Tate's new international learning programme BP Art Exchange shares its first year of global participation projects. These explore democracy, communication and how we use gesture, touch and generative ideas to reach out to others across the globe. Video and photography seek to illuminate the participatory process and artwork born out of conversations between the UK, and India, Denmark, Mexico and Russia.

Michelle Williams Gamaker's films from the workshops in India and London with Central Saint Martins students feature in the Clore Screening Room, featuring a re-enactment of Lygia Clark's Viagem (Journey).  

The Reach Out exhibition is open daily and continues until 26th April 2015

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Moving Image, National Gallery, Prague

20/2/2015

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Mieke Bal and I are exhibiting a 5-screen video work: Precarity (2015) in the 1st Chapter: The Importance of Being a (Moving) Image at the National Gallery, Prague. The National Gallery is going to open in Trade Fair Palace a new long-term project of the Moving Image Department. The title refers to Mieke's reflection of semiotics and ontology of the image.
The first show is presenting works by Portuguese artists Mariana Calo and Francisco Queimadela, American artist Rachel Rose, French artist Aurelien Froment and Mieke Bal and Michelle Williams Gamaker. The Czech art scene is presented by works of Daniel Pitín and Roman Štětina.

The Moving Image Department is situated in a previously not used extraordinary space on the ground floor of Trade Fair Palace, redone for this purpose by the architectural concept of Austrian artist Josef Dabernig. Visual identity of the department was created by renowned British artist Liam Gillick whose video work and wall installation would be also present.

The exhibition is the result of a curatorial cooperation of Adam Budak, chief curator of the National Gallery in Prague, with Jan Kratochvil and Piotr Sikora.


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Zoo 1st performance event at Kingston

19/2/2015

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Excited to announce that I'll be co-coordinating the first monthly live performance event, Zoo, in the first year BA Fine Art studios at Kingston University.
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Dialogic Assemblages

8/2/2015

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Alll site contents © Michelle Williams Gamaker 1999-2020
  • WORKS
    • THE SILVER WAVE (2020)
    • ENCORE (RESURRECTION MANIFESTATIONS) (2019)
    • THE ETERNAL RETURN (2019)
    • THE FRUIT IS THERE TO BE EATEN (2017)
    • DISTANT RELATIVE (2019)
    • HOUSE OF WOMEN (2017)
    • BROWN QUEERS (2017)
    • ELEPHANT BOY (2015) >
      • Elephant Boy’s Adventures in Reconstruction​
  • News
  • INDEX
    • Archive
    • Films in development >
      • THE BANG STRAWS
      • VIOLET CULBO
    • Collaboration >
      • Collaboration with Julia Kouneski
      • Collaborations with Mieke Bal
    • Man In Parts
    • WOCI Reading Group
  • Bio/Contact