MICHELLE WILLIAMS GAMAKER
  • WORKS
    • THE SILVER WAVE (2020)
    • ENCORE (RESURRECTION MANIFESTATIONS) (2019)
    • THE ETERNAL RETURN (2019)
    • THE FRUIT IS THERE TO BE EATEN (2017)
    • DISTANT RELATIVE (2019)
    • HOUSE OF WOMEN (2017)
    • BROWN QUEERS (2017)
    • ELEPHANT BOY (2015) >
      • Elephant Boy’s Adventures in Reconstruction​
  • News
  • INDEX
    • Archive
    • Films in development >
      • THE BANG STRAWS
      • VIOLET CULBO
    • Collaboration >
      • Collaboration with Julia Kouneski
      • Collaborations with Mieke Bal
    • Man In Parts
    • WOCI Reading Group
  • Bio/Contact

The Bang Straws

This page includes key reference images for the film production from source research The Good Earth (1937) and designs for the immersive installation The Bang Straws​, upcoming solo show at Tintype Gallery, London (Sept-Oct 2019) and 

storyboard and visual research

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Full access to University of Leicester's Dr Swidbert Ott's laboratory to film solitary and gregarious Desert Locusts on 16mm film, documenting these insects up close using specialist lenses and cinematography.
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panoramic view of solitary desert locusts housed in individual 'stables' at University of Leicester © Dr Swidbert R. Ott
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design for The Bang Straws, Tintype, Sept-Oct 2019 © Michelle Williams Gamaker
multiple views for The Bang Straws, Tintype, Sept-Oct 2019 © Michelle Williams Gamaker
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Dr David P Moore's tracking of wildfires near Vesuvius - using a multispectral instrument (MSI) on Sentinel-2 which provides high resolution (10m) data over an area with a revisit time of 5 days. Combinations of measured channels from the satellite instrument can construct and highlight what you are interested in. Moore explains that the “natural colour” image at the top shows the active fire smoke plume. A combination of the infrared channels help you see more detail of the active fire area (what Moore terms as a 'false colour image').
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​worldview-3 satellite image of the Californian wildfires of 2018. The image utilised the 'false colour image' to map the spread of fire more easily. 
These images are accessible via ©Digital Globe.
Example of previous 16mm film work, House of Women (2017) has screened nationally in festivals including BFI London Film Festival and internationally in Australia, Switzerland, Germany and Canada.

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​ Encore (Resurrection Manifestations) (2018) installation view from exterior of Tintype Gallery Essex Road 5 
Alll site contents © Michelle Williams Gamaker 1999-2020
  • WORKS
    • THE SILVER WAVE (2020)
    • ENCORE (RESURRECTION MANIFESTATIONS) (2019)
    • THE ETERNAL RETURN (2019)
    • THE FRUIT IS THERE TO BE EATEN (2017)
    • DISTANT RELATIVE (2019)
    • HOUSE OF WOMEN (2017)
    • BROWN QUEERS (2017)
    • ELEPHANT BOY (2015) >
      • Elephant Boy’s Adventures in Reconstruction​
  • News
  • INDEX
    • Archive
    • Films in development >
      • THE BANG STRAWS
      • VIOLET CULBO
    • Collaboration >
      • Collaboration with Julia Kouneski
      • Collaborations with Mieke Bal
    • Man In Parts
    • WOCI Reading Group
  • Bio/Contact